Boyzarro is having issues with his parents and once that he meets Superboy he might find the right way to escape.
Glad that we see yet another version of Bizarro.
I mean, we have seen several since the New 52. We have gone from H'El to clone Bizarro to classic Bizarro and now to family man Bizarro, hell, there are currently two Bizarros as far as we know, the one from Red Hood & the Outlaws and now this one. Fortunately, Peter Tomasi and Patrick Gleason don't make things too convoluted and decide to tell an entertaining story instead.
The early Bizarro narration can get a bit obnoxious at first but it gets the job done and mostly serves to contrast how things work differently in the Bizarroverse, particularly the relationship between the Kents which is not as lovely as the one in the main DCU. The comparison is further explored once that the true Kents appear and they're as charming as a family as you can expect which sets-up the story perfectly for the encounter with Boyzarro and justifies what happens later.
Gleason handles the art and he's pretty flexible due that he's able to play with two different styles between the normal and the Bizarro people and all of them look great.
Strong issue, hope the story continues this way.
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